Showcase: Finding Sponsorship for the Cultural Super Bowl

Showcase: Finding Sponsorship for the Cultural Super Bowl

We recognized that there was an opportunity for the cultural sector to specialize its fundraising. The sports industry has been so successful at generating income from sponsorship, and I thought that by using the techniques and the approach that the sports industry has used, we can help museums and other organizations maximize their income streams. The cultural sector is hugely undervalued by potential sponsors.

The Art of Attraction: 29 Rooms, Museum of Ice Cream, and Beyond

The Art of Attraction: 29 Rooms, Museum of Ice Cream, and Beyond

“Art is supposed to slow you down. It sticks in your memory and triggers a second, third and fourth look.” We reviews 3 recent “art attractions” and wonder how to process them visually and culturally.

Op-Ed: Kyle Chayka on Streetwear's Collab Calculus

Op-Ed: Kyle Chayka on Streetwear's Collab Calculus

Special guest columnist Kyle Chayka considers the latest collaboration between Supreme and legendary photographer Nan Goldin, and where the streetwear x artist train might go from here.

What do Champagne and Art Have in Common?

What do Champagne and Art Have in Common?

Each year, the longstanding champagne house Ruinart commissions an artist to engage with the brand and its history, presenting the work first in Paris, before it tours to some 31 art fairs around the world. We met Frédéric Dufour, president of Ruinart, before the opening of Art Basel in Hong Kong, the first stop on this extensive circuit. He spoke of art, champagne, and emotion.

A MaxMara Case Study: What's better, an art prize or a direct commission?

A MaxMara Case Study: What's better, an art prize or a direct commission?

Above the Fold: MaxMara announced both the winner of the Art Prize for Women and a Salon de Mobile commission last month.
Collectively, that's a lot of corporate energy and trust being funnelled into art. The MaxMara Art Prize for Women went to Helen Cammock, whose multimedia work composes narratives of marginalized voices and the black experience.

Ad Agency as Change Agent - Op-Ed by Samantha Culp

Ad Agency as Change Agent - Op-Ed by Samantha Culp

The discourse around brand-artist collaborations, and more generally, the new ways that companies interact with creative culture, often focuses on those two positions exclusively. The brand and the artist. The corporations and the culture-makers.

Must the Museum be Defended from Branded Content?

Must the Museum be Defended from Branded Content?

Above the Fold: Who Gets to Define the "Museum" Today?
The Museum of Ice Cream has entered into nearly every conversation about the future of museum programming we've had with both [potential] corporate sponsors and museum administrators alike over the past year.

For Maurizio Cattelan, the Museum Store is the New Project Space

For Maurizio Cattelan, the Museum Store is the New Project Space

In museum stores around the world recently we have begun to see these “Museum League” scarves. Can you introduce the project and how you came to the idea? What makes the museum store an interesting space to intervene in for you?

It all started from the consideration that museums are becoming places where the sense of community, the process of identification, passion and faith take place.

From Jewelry to Crude Oil: New Branded Spaces for Art

From Jewelry to Crude Oil: New Branded Spaces for Art

Above the Fold: A Restored Shanghai Villa Hosts the Collection of the Fondazione Prada
Last fall Prada celebrated the opening of Rong Zhai, the Republican-era residence of flour baron Rong Zongjing.

BMW's no strings attached prize - Interview with Thomas Girst

BMW's no strings attached prize - Interview with Thomas Girst

BMW has been inviting artists since 1975 to create its Art Cars. What were the brand's motivations in starting the Art Journey in 2015?  

We asked ourselves if we could make a difference with cultural engagement and not add to the “bling bling” and exuberance of the 60 billion dollar art market. BMW has been a partner of the arts for half a century - without any vested interest in the field or our own corporate art collection.

Finding a Raison D'Etre for a New Luxury-Linked Art Foundation

Finding a Raison D'Etre for a New Luxury-Linked Art Foundation

Above the Fold: From Department Store to Art Production House
The New York Times spent some time in Paris this week (downtime from the runway shows, no doubt) visiting the construction site that will soon become Lafayette Anticipations, a new space for the Fondation Galeries Lafayette.

When Will Brands Look Beyond Street Art? - Op-Ed by Andrea Hill

When Will Brands Look Beyond Street Art? - Op-Ed by Andrea Hill

"If street art could now reach both high and mass culture alike, then brands could calibrate these flexible associations to fit with their messages and needs. More collaborations ensued with “art world-approved” street artists: MOCA x Levi’s featuring Kenny Scharf and KR, Hennessy and Nike with Os Gemeos, Louis Vuitton with Banksy."

Better a Friend than a Brand: When Petra Cortright Met Stella McCartney

Better a Friend than a Brand: When Petra Cortright Met Stella McCartney

"I think it is very important for brands to understand who they are talking to and what they are asking them to do––it’s too often that brands think they want an artist, but what they really want is advertising."

Full-Stack Art Engagement - Op-Ed by Robin Peckham

Full-Stack Art Engagement - Op-Ed by Robin Peckham

"The single greatest place for art, in fact, must generally be within a company or organization, providing alternative thinking strategies, improving environments, and boosting morale—a form of internal communication rather than simply a way for a brand to communicate its values externally."

Bringing art to the masses — K11 Founder Adrian Cheng

Bringing art to the masses — K11 Founder Adrian Cheng

K11 Art Foundation, the non-profit organization founded by Adrian Cheng, has been promoting Chinese contemporary artists and curators through collaborations with leading institutions such as the Pompidou, MoMA PS1, the Royal Academy, and Palais de Tokyo. Here Adrian talks about art and branding in the development of K11 Art Malls and C Ventures, his new fund focusing on tech-driven brands. 

How artist Carter Mull hacked a denim icon from the inside

How artist Carter Mull hacked a denim icon from the inside

Los Angeles-based artist Carter Mull creates multi-media images by re-photographing and altering existing pictures. His works are in numerous museum collections including the Museum of Contemporary Art, LACMA and Hammer Museums in Los Angeles. Recently, Mull was approached by GUESS through his project Eye Eye Productions, which functions as both a photography bureau and a brand collaborator. Here the artist shares how this new collaboration is related to his previous art practices, and his reflections on the interrelationships between urban culture and fashion.

Artists Surviving Chaotic Capitalism - Interviewing artist Amalia Ulman

Artists Surviving Chaotic Capitalism - Interviewing artist Amalia Ulman

Amalia Ulman is an Argentinian-born, Spanish-raised artist based in Los Angeles whose works explore contemporary desire and anxiety, often utilizing social networks as a medium. Her performances, videos, and photography have been shown at the New Museum, the Tate Modern, and the Rockbund Museum, among others. Her series “Excellences and Perfections” has been called “the first Instagram masterpiece” and will be the subject of a new book forthcoming from Prestel in spring 2018. Here, she shares her candid perspectives on the brand-artist relationship, including her 2015 collaboration with Gucci during her performance “Privilege.”
 

Choose art for permanence, commerce for speed - Interviewing artist Simon Denny

 Choose art for permanence, commerce for speed - Interviewing artist Simon Denny

Simon Denny, the representative artist of New Zealand at the 56th Venice Biennial, is known for his research-based projects and exhibitions which look into the condition and production of knowledge through imagery used by institutions and corporate. In 2017, the artist showed his works at Hammer Museum, L.A. and OCAT, Shenzhen. Here Simon explains how brands and logos serve as visual documentation of today’s commercial culture and how they are re-contextualized in his art projects. He also shares his view on the difference between private and public sponsorship.

30+ years of Art Engagement & Evolution —interview with Absolut Art's Saskia Neuman

30+ years of Art Engagement & Evolution —interview with Absolut Art's Saskia Neuman

With over 30 years of a genuine relationship with the global artistic community, Absolut Art has been evolving through new initiatives like the Absolut Art Award, the Art Bars that pops up around the world and various artist collaborations. Saskia Neuman, Global Art Manager at Absolut and the director of the award, shares the brand’s goals with art engagement.

How is UBS Art Collection related to its corporate functions?— interview with Deborah Ehrlich

How is UBS Art Collection related to its corporate functions?— interview with Deborah Ehrlich

UBS holds one of the most distinguished corporate art collections around the globe, and recently presented The Art Market 2017 annual report with Art Basel in Miami. In our post Art Basel Miami report, Deborah Ehrlich, the Regional Manager APAC for the UBS Art Collection shares her view on how the collection is related to the functions and corporate culture of the bank.